Talking back

The many facets of performance and performativity are all over our lives. Long theorized, long rehearsed, the forms of performance continue to unfold in every direction. There is something always new in performance, and always something borrowed. This issue of Zehar proposes that we consider performance as a kind of editing, a gesture of gathering, accepting, rejecting the information from the world around us. Editing our stimuli in order to make meaning —performance as process.

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